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	<title>The Miday Masala &#187; Rensil D&#8217;Silva</title>
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		<title>TheMidayMasala&#8217;s Review of: Kurbaan!</title>
		<link>http://www.themidaymasala.com/2009/11/themidaymasalas-review-of-kurbaan/</link>
		<comments>http://www.themidaymasala.com/2009/11/themidaymasalas-review-of-kurbaan/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 15:19:35 +0000</pubDate>
		<dc:creator>TMM Staff</dc:creator>
				<category><![CDATA[TheMidayMasala's Review of:]]></category>
		<category><![CDATA[Kareena Kapoor]]></category>
		<category><![CDATA[Rensil D'Silva]]></category>
		<category><![CDATA[Saif Ali Khan]]></category>
		<category><![CDATA[Vivek Oberoi]]></category>

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		<description><![CDATA[In love, there are two important qualities &#8211; trust and sacrifice. Without these two entities- love, a relationship and marriage will not survive. The love story of Avantika (Kareena Kapoor) and Ehsaan (Saif Ali Khan) is the story of kurbaani, vishwas and pyaar. Kurbaan is a love story at its core with a strong message [...]]]></description>
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		<slash:comments>48</slash:comments>
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		<title>New &#8216;Kurbaan&#8217; posters with Kareena &amp; Saif!!</title>
		<link>http://www.themidaymasala.com/2009/09/new-kurbaan-posters-with-kareena-saif/</link>
		<comments>http://www.themidaymasala.com/2009/09/new-kurbaan-posters-with-kareena-saif/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 02:09:35 +0000</pubDate>
		<dc:creator>TMM Staff</dc:creator>
				<category><![CDATA[First Look]]></category>
		<category><![CDATA[Kareena Kapoor]]></category>
		<category><![CDATA[Rensil D'Silva]]></category>
		<category><![CDATA[Saif Ali Khan]]></category>
		<category><![CDATA[Vivek Oberoi]]></category>

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		<description><![CDATA[It definitely looks edgy and enticing! Eeeeeeeeeeeee. Apparently, SAK is playing a radical terrorist and KK is in love with him. So basically a love story with a social message, we presume? This flick is Rensil D&#8217;Silva&#8217;s directorial debut. D&#8217;Silva was actually behind the screenplay of the epic Aamir Khan film Rang de Basanti and [...]]]></description>
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